Friday 30 November 2007

Completed Story Board

1st scene
2nd scene

3rd scene

4th scene

5th scene


6th scene

7th scene

8th scene


9th scene

10th scene

11th scene



12th scene

Tuesday 6 November 2007

Design Museum


On the 2nd of November, Aaron, Shanon and I followed Suzi to the Design Museum which is located at Shad Thames nearby to the London Bridge Underground Station.











The display was mostly about Zaha Hadid and her splendid works back then until now. For more information, visit to Zaha Hadid and ZahaHadid Blog.













BubbleShare: Share photos - Thanksgivingtime!



There is also an exhibition about Matthew Williamson 10 years time in fashion field.
















BubbleShare: Share photos - Here comes Halloween!



Story Board Further Development by Shanon



LU Future Animation Ad Character Design




Tuesday 30 October 2007

Logo and Icons Design


The color theme and design based on UK flag
and Undergroud Tube Logo.

















Bauhaus font is used in the design.















Forum banner marker and icons
(click to enlarge)


































the previous banner done by Shanon






Research
< image retrieved from http://del.icio.us/fat.cat/logo
(click to enlarge)























logo sketches for forum


















Logo development illustration by Aaron


Story Telling

"Story telling can be oral, traditional telling of a tale, visual as in an information graphy or movie; or textual as in a poem or novel."
(Lindell 2003, P.186)

Narratology
, the art of telling story.

Techniques
Diegesis- having a narrator in a story.
Mimesis
- not having a narrator but the visual will tell the story.


The Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti who was a French writer from the mid 19th century to categorize every dramatic situation that might occur in a story or performance.
  1. Supplication - a Persecutor; a Supplicant; a Power in authority, whose decision is doubtful.
  2. Deliverance - an Unfortunate; a Threatener; a Rescuer
  3. Crime pursued by vengeance - an Avenger; a Criminal
  4. Vengeance taken for kin upon kin - an Avenging Kinsman; Guilty Kinsman; remembrance of the Victim, a relative of both
  5. Pursuit - Punishment; a Fugitive
  6. Disaster - a Vanquished Power; a Victorious Enemy or a Messenger
  7. Falling prey to cruelty/misfortune - an Unfortunate; a Master or a Misfortune
  8. Revolt - a Tyrant; a Conspirator
  9. Daring enterprise - a Bold Leader; an Object; an Adversary
  10. Abduction - an Abductor; the Abducted; a Guardian
  11. The enigma - an Interrogator; a Seeker; a Problem
  12. Obtaining - (a Solicitor & an Adversary who is refusing) or (an Arbitrator & Opposing Parties)
  13. Enmity of kin - a Malevolent Kinsman; a Hatred or a reciprocally-hating Kinsman
  14. Rivalry of kin - the Preferred Kinsman; the Rejected Kinsman; the Object of Rivalry
  15. Murderous adultery - two Adulterers; a Betrayed Spouse
  16. Madness - a Madman; a Victim
  17. Fatal imprudence - the Imprudent; a Victim or an Object Lost
  18. Involuntary crimes of love - a Lover; a Beloved; a Revealer
  19. Slaying of kin unrecognized - the Slayer; an Unrecognized Victim
  20. Self-sacrifice for an ideal - a Hero; an Ideal; a Creditor or a Person/Thing sacrificed
  21. Self-sacrifice for kin - a Hero; a Kinsman; a Creditor or a Person/Thing sacrificed
  22. All sacrificed for passion - a Lover; an Object of fatal Passion; the Person/Thing sacrificed
  23. Necessity of sacrificing loved ones - a Hero; a Beloved Victim; the Necessity for the Sacrifice
  24. Rivalry of superior v. inferior - a Superior Rival; an Inferior Rival; the Object of Rivalry
  25. Adultery - two Adulterers; a Deceived Spouse
  26. Crimes of love - a Lover; the Beloved
  27. Discovery of the dishonour of a loved one - a Discoverer; the Guilty One
  28. Obstacles to love - two Lovers; an Obstacle
  29. An enemy loved - a Lover; the Beloved Enemy; the Hater
  30. Ambition - an Ambitious Person; a Thing Coveted; an Adversary
  31. Conflict with a god - a Mortal; an Immortal
  32. Mistaken jealousy - a Jealous One; an Object of whose Possession He is Jealous; a Supposed Accomplice; a Cause or an Author of the Mistake
  33. Erroneous judgement - a Mistaken One; a Victim of the Mistake; a Cause or Author of the Mistake; the Guilty One
  34. Remorse - a Culprit; a Victim or the Sin; an Interrogator
  35. Recovery of a lost one - a Seeker; the One Found
  36. Loss of loved ones - a Kinsman Slain; a Kinsman Spectator; an Executioner
Point of View
- first person
- second person

- third person (usually on documentary programs or sensitive issue)


Plot is the events that happen to the characters in a story.

Plot Devices, something introduced into the story to advance the plot.
- items
- vision
- finales


Plot hole is a gap in a storyline that goes against the flow of logic set-up by the plot. Plot holes are usually seen as weaknesses and flaws in a story, and writes try to avoid them( except in certain deliberate circumstances, usually for humorous effect) to make their stories seem as realistic ans lifelike as possible.

Plot Structure, how to link everything together.

According to Aristotle's Poetics, a plot in literature is "the arrangement of incidents" that (ideally) each follow plausibly from the other. The plot is like the pencil outline that guides the painter's brush.

Elements of plot in a narrative
Initial situation - the beginning. It is the first incident that makes the story move.
Conflict or Problem - goal which the main character of the story has to achieve.
Complication - obstacles which the main character has to overcome.
Climax - highest point of interest of the story.
Suspense - point of tension. It arouses the interest of the readers.
Denouement or Resolution - what happens to the character after overcoming all obstacles/ failing to achieve the desired result ans reaching/ not reaching his goal.
Conclusion - the end of the story.


Dramatic Structure
Dramatic structure refers to the parts into which a plot of a short story, a novel, a play, a screenplay, or a narrative poem can be divided. Larger texts may contain several simultaneous plots that also follow this structure. The dramatic structure has been described by Gustav Freytag as follows:



Characters
, the actions and reactions of the characters drive the plot forward. Characters create their own realities as externalizations of their inner worlds in a sense.

Protagonist - somebody who carried the story
Antagonist - someone who opponents the protagonist
False Protagonist - someone who was thought as the lead character
Fictional - someone who does not exist

stock characters - sub characters

Genre, the main theme of the story. The theme is the invisible underlying universal- controlling idea, moral, message, concept, emotion, issue, essence or soul of the story.

Invisibility
, what the audience can not see. (form/ media/ content)


Mood
, the emotion.


Movement, the flow of the story.
- motion

- coherent
- logical

- sequence


Setting
is the location where the story takes place. It is a sense of time and place.





Related websites:
http://www.cla.purdue.edu/academic/engl/theory/narratology/modules/introduction.html
http://www.ericdigests.org/pre-921/story.htm
http://en.wikipedia.org/wiki/Story_telling
http://en.wikipedia.org/wiki/Narratology
http://www.exposure.co.uk/eejit/3act/index.html

Exe- The Future of Cinema

Research Exercise: The Future of Cinema

Write 250 words on the impact of digital technologies on cinema and adress the term digital/mobile revolution. (find examples of media projects, filmic texts or media clips supporting your argument)

  1. How do the following cinema projects (see below) address the theme of our module?
  2. How do the following projects differ from the traditional viewing experience?
Links:

Yobi - scene analysing

Referring to The Grammar of Television and Film by Daniel ChandlerUWA 1994 .


xxx

One of the interesting scene is this movie is when Yobi’s classmate called Yobi out from the washroom and warn her for keep on seducing Guem-ie. The animated film length is around 1 hour 25 minutes and 30 seconds.The scene happens at the timeline 00:46:11- 00:47:15.

In this scene, all shots are made in eye-level angle. There is not much camera movement except for slightly zoom in and tracking. Mostly medium shot/ mid-shot are being used when Yobi is talking with her classmate who has a crush on Hwang Guem-ie. The reason of using mid-shot is because when the two girls are talking, they have a lot of hand movements and different kind of facial expression instead of having too many movements on their legs as they are just standing there. Other than that, medium long shot is also being applied after Yobi’s classmate pointed at Yobi and listening to what Yobi going to say about herself. In this case, the purpose is to keep the social circumstances rather than just focusing on one character. It is also called as a two-shot since it is a shot of involving two persons at the same time.

Afterwards the camera is capturing Yobi instead of Yobi’s classmate because Yobi is talking and she is making those funny faces to cool down her classmate’s temper. The shot continues with a matched cut where the camera angle changed and turned to Yobi’s classmate having a frustrated facial look. When Yobi asked her classmate about the fact she is a fox, they use side medium shot so that the audience is able to see the hand gesture of Yobi.
The close up shot (one point view) cut towards Yobi’s classmate when she raised her hand and slap on Yobi’s left cheek, her hand reached near to the camera as though the camera is Yobi’s face. Then the reaction cut happened where Yobi is almost fell and long shot is being used to show the complete figures of theirs including the surroundings. Next we can see Yobi holding her face where a medium close shot is made to show her dramatic reaction when she turned her head over to her classmate and starting to smile again.


Later on long shot is being used again as both of the girls starting to have more body movement. Yobi’s classmate tilted her legs and clenched her fist, she is mad. This happened to be the most amusing part of this movie when Yobi’s classmate squad down and cried because Yobi misunderstood that a slap meaning that she loves her. The kicking legs of her when she sit on the ground and cried somehow portrays that she is somehow childish for having such negotiation with Yobi. The scene ends with Yobi bend down then squad down and comfort her with left hand. Yobi still not sure about what is going on; it is written on her innocent face.


As lighting can influence the audience approach towards a character or setting, soft and high-key lighting are being used in the scene to show sunny day. This bright image of the scene is characteristic of entertainment genre such as love comedies.


The use of sound in this scene is direct sound which is also called live sound which is created by the Mother Nature creature. Birds chirping sounds can be heard in this scene as the scene took place in day time, as sunny afternoon. Other than that, there are only the two girl characters talking sounds.